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AUTO SERIES

MOTOR SYNTH MK II

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PLASMA VOICE (ER)

PLASMA DRIVE (ER)

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World’s first analog optical spring reverb system.

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The LIGHT Pedal combines all the best features of a classic spring reverb with an innovative optical sensor system and a powerful effects section that opens up countless new types of reverb textures and sounds never heard before.

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Discover the sound of LIGHT

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The LIGHT PEDAL’s foundation
is a traditional spring reverb system.

It takes a lot of energy to transfer an audio signal across the length of a vibrating spring. By the time the source audio signal reaches the spring tank’s output transducer, most of it’s nuanced harmonic content will be lost converted into mechanical energy. 

However, due to the spring’s elasticity, by the time vibrations travel to the output transducer we are mostly hearing the spring’s own resonant frequencies. This is why all spring reverbs have such a particular sound.

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The LIGHT PEDAL’s foundation
is a traditional spring reverb system.

It takes a lot of energy to transfer an audio signal across the length of a vibrating spring. By the time the source audio signal reaches the spring tank’s output transducer, most of it’s nuanced harmonic content will be lost converted into mechanical energy. 

However, due to the spring’s elasticity, by the time vibrations travel to the output transducer we are mostly hearing the spring’s own resonant frequencies. This is why all spring reverbs have such a particular sound.

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To capture the full range of the spring’s movements,
the LIGHT Pedal uses multiple sets of special Infra-Red optical sensors that act as photoelectric pickups.

This method opens up a much wider range of
frequencies, harmonics, overtones and textures that are otherwise lost in the mechanical reverberation process.

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The LIGHT Pedal offers three separate volume levels:

– for the DRY signal,
– for the traditional SPRING signal (produced by the spring tank’s output transducer),
– and the OPTICAL signal.

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The LIGHT Pedal offers three separate volume levels:

– for the DRY signal,
– for the traditional SPRING signal (produced by the spring tank’s output transducer),
– and the OPTICAL signal.

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The TONE control will affect both the spring and the optical signals while leaving the dry signal as is.

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The 6-way selector knob gives you access to different effect modes.

The first three (optics, sweep, trem) are optical effects, whereas the reflect, feedback and harmonic effects occur within the spring tank itself.

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DRIVE determines the amount of signal being sent into the spring tank in all playing modes.

GATE affects both reverb outputs and all effect modes. When the gate knob is at 12 o’clock it is neutral and does not affect the LIGHT Pedal’s sound

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Hear the LIGHT Pedal in action:

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The story behind the LIGHT Pedal

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TAILS switched ON, you will be able to smoothly turn the LIGHT Pedal off, while preserving the reverb’s natural decay trails.
When switched OFF, the reverb trails will be cut as soon as the LIGHT Pedal is shut off.

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When LATCH is ON the LIGHT Pedal’s footswitch will act as a standard latching on/off footswitch.
When LATCH is OFF the LIGHT Pedal’s footswitch will act as a momentary effect switch.

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THE WORLD’S FIRST ANALOG
OPTICAL SPRING REVERB SYSTEM
THAT USES INFRA-RED OPTICAL SENSORS
TO HARVEST
THE FULL TIMBRAL AND HARMONIC RANGE
OF A SPRING REVERB TANK

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LIGHT PEDAL IS THE WORLD’S FIRST ANALOG OPTICAL SPRING REVERB SYSTEM THAT USES INFRA-RED OPTICAL SENSORS TO HARVEST THE FULL TEMBRAL AND HARMONIC RANGE OF A SPRING REVERB TANK.

IT TAKES A LOT OF ENERGY TO TRANSFER AN AUDIO SIGNAL ACROSS THE LENGTH OF A VIBRATING SPRING. BY THE TIME THE SOURCE AUDIO SIGNAL REACHES THE SPRING TANK’S OUTPUT TRANSDUCER, MOST OF ITS NUANCED HARMONIC CONTENT WILL BE LOST CONVERTED INTO MECHANICAL ENERGY.

THIS IS WHY SPRING REVERBS HAVE SUCH A PARTICULAR SOUND, SINCE WHAT YOU END UP HEARING IS LARGELY THE SPRING’S OWN RESONANT FREQUENCIES. THE LIGHT PEDAL USES EXTREMELY SENSITIVE OPTICAL PAIRS, PLACED AT SPECIFIC REGIONS OF THE SPRING TO DETECT VERY NUANCED MOVEMENTS ON THE SPRING’S SURFACE, AS SOUND-WAVES TRAVEL THROUGH IT.

THIS METHOD OPENS UP A MUCH WIDER RANGE OF FREQUENCIES, HARMONICS, OVERTONES AND TEXTURES THAT ARE OTHERWISE LOST IN THE MECHANICAL REVERBERATION PROCESS. USING OPTICAL SENSORS ALSO OPENS DOORS TO SOME NEW EFFECTS TYPES, SUCH AS OPTICAL REVERB TREMOLO, OPTICAL REVERB MODULATION AND OPTICAL HARMONIC SHIMMER.

THE RESULT IS A WIDE VARIETY OF ANALOG REVERB SOUNDS RANGING FROM CLASSIC TO EXPERIMENTAL TO PURE MAGIC.

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ATTENTION DR.MARTENS CUSTOMERS:

THE LIGHT PEDAL ALSO FEATURES AN INNOVATIVE SHOCK SENSOR CIRCUIT THAT SHUTS OFF AUDIO SIGNAL AS SOON AS MECHANICAL IMPACT IS DETECTED.

SIMPLY PUT THE SHOCK SENSOR SWITCH TO “HARD” AND STOMP IT ALL DAY LONG WITH NO HARMFUL CONSEQUENCES.

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